Showing posts with label Book Artist. Show all posts
Showing posts with label Book Artist. Show all posts

Wednesday, April 18, 2012

Amber White - Book Artist


Inside a Shell
Handmade book with Snapping Turtle Shell
Amber White
Altered Esthetics Featured Artist
for 
"Formed by Nature"
May 2012


Name:  Amber White
City/State: Shoreview, MN
Email: tangledantlers[at]gmail[dot]com
Website: tangledantlers.com  
 My early years were spent in central Minnesota, surrounded by nature and people who know how to live off the land. With a family history encompassing farming, hunting, fishing, trapping, and physical labor, I grew up with a healthy respect for the natural world and took to working with my hands. My first sort of creative training took place somewhere between the ages of 8 and 10 in my dad’s garage, where he and my uncle bravely allowed me to raid their tool chests for my experimental bird houses. This was around the same age I became adept at filleting fish, around the same age I encountered Jana Sterbak’s Meat Dress and Chuck Close’s cigarette-smoking Self-Portrait at the Walker Art Center during an elementary school field trip.

These experiences fueled a desire to learn more about art and to continue creating with my hands. Wanting more than fish fries and birdhouses (though I still love both), I left my hometown to attend the University of Minnesota Morris, where renewability and sustainability are core values. I completed a Bachelor of Arts degree in both Studio Art and Art History, with a focus in photography and book arts.

These days I live and work in the Twin Cities, though I still find time to escape and venture farther north. A local non-profit art gallery, Altered Esthetics, has been my main roost for the past few years. After completing an Assistant Gallery Director internship in 2010, I applied to join the board of directors as the Director of Group Exhibitions. Since January of 2011 I have managed over a dozen diversely themed group exhibitions. Altered Esthetics believes in art for art’s sake and provides opportunities for a wide range of creative types from students to emerging artists to working professionals.

 Moose Journal


Tell me about your work? What are you currently working on? How is this different from past projects?

Currently I am producing handmade & hand bound journals for artists and writers. This differs from many of my past projects in that my main undergraduate concentration was photography. Since I no longer have regular darkroom access, I do sometimes shoot digitally, but I find that bookmaking satisfies my need for hands-on interaction with paper and repetitive processes. I sell these books in my Etsy shop “TangledAntlers” and I have been known to take up personal requests such as a natural wedding guest book and a Tanzanian kitenge-covered travel journal. My favorite materials to use are old dictionary pages and paper wasp hives.

In the past my photographic work has focused on family and rural tensions between man and animal. I have often incorporated natural or animal materials into mixed media pieces and book art pieces as a way to salvage and upcycle the waste or scraps forgotten by my family members who hunt and trap. I collect and reuse what I can so that the animal is used to its fullest potential and can live on somehow through art. 

Hand-bound Journal with Wasp Hive Cover


"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

Wait!! Going back to that “What is Art?” question, I can tell you what art is not. Art is not limited to what museum curators or wealthy collectors consider to be art. Art is everywhere, in all communities, for all people.  As far as my book art goes, I simply hope that the audience takes away a curiosity for the natural world, and a little more love for the handmade.



What was the best advice given to you as an artist? 

The advice given to me from other artists and colleagues can be boiled down to a few key points: Be persistent. Don’t let the fear of rejection stop you from creating, the way it stops so many others. We all have dry spells and times of rumination and that is perfectly okay. Always talk about your ideas or work with others, take yourself seriously and others will follow. Do what you know you can do, do it often, and do it well.

Dad and Uncle Rick in the Garage, Silver Gelatin Print


Tell me about your work space and your creative process.

I am thankful for my father-in-law allowing me to take over his former wood shop next to his basement utility room. There I am able to store all my “stuff” and keep things lying out on a table where I can return and work as needed without the interruption of packing things up and putting away. I do most of my binding and gluing there, which is great because it allows me to keep things in a separate space away from my dog, his fur, and other disturbances.  

Book binding very much has to be done in stages, so I will spend days just tearing paper, some days just sewing, and some days gluing or waiting for glue to dry.  After all the steps are completed and I have several books done, I set up my camera and photograph them all.

 Storage and workspace 

Who are some of the Minnesota artists you enjoy?
Jess Larson has been an instructor, mentor, and friend of mine since 2005. She creates subversive embroideries that reinterpret domestic objects and social messages directed towards women. 
http://www.jesslarson.com/

Margaret Gamache has been a friend of Altered Esthetics I believe since the very first years. She is a mixed media artist, a good soul, and I always appreciate her sharing of family history.

A photographer who lived and worked in Minnesota for many years, Celeste Nelms photographs and interacts with discarded objects. 

Judy Onofrio’s bone sculptures celebrate the organic beauty in life & death.

Erin Hernsberger’s gorgeously printed photographs combine fascination and repulsion. I especially enjoy the series Dissect. 

The women of Cave Paper are doing some incredible things with paper!


If I were to follow you around to see art in Minnesota, which places would we go? What would we see?
MN Center for Book Arts  http://www.mnbookarts.org/
North House Folk School Grand Marais  http://www.northhouse.org/
Altered Esthetics   http://www.alteredesthetics.org/
Northtrup King Building  http://www.northrupkingbuilding.com/

Untitled
Pheasant feathers, wheat, and wasp hive paper on handmade coyote fur & tea paper



Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?

Local Artist Interviews, of course! http://www.local-artist-interviews.com/
I also love MN Artists http://mnartists.org/
Northeast Minneapolis Arts District http://northeastminneapolisartsdistrict.com/
NPR News Arts & Life  http://www.npr.org/sections/arts/


What can we expect to see from you in the future?
This May (2012) I am the featured artist for “Formed by Nature” at Altered Esthetics [alteredesthetics.org], and you can expect to see many more exhibitions curated by myself and the awesome curatorial intern team at AE until the end of 2013 when my board term is complete. In August of 2013 I will be guest curating a group exhibition featuring Twin Cities’ artists at HFA Gallery on campus at U of M Morris.

When I have time off from managing exhibitions, I plan to continue my own work in binding books and potentially creating a line of other handmade paper products. In the future I also hope to have a small studio to provide portfolio documentation services to other artists.

Amber White

Sunday, February 26, 2012

Danielle Feliciano - Book Artist


Nightsong - Digitally Printed, Graphite, Watercolor, Metal Powder

 Danielle Feliciano



 Altered Esthetics 
Featured Artist 
for
3/1/12 - 3/29/12
Opening Reception: 3/2/12   7pm-10pm
Artist Discussion Saturday 3/17 1pm - 3pm



Name: Danielle Feliciano
City/State: St Louis Park, MN
Twitter: @RightBrainBook

Bio~ 
I hold a BFA in illustration from the Savannah College of art and Design and have practiced art making all of my life. I am currently pursuing a design MFA from the Minneapolis
College of Art and Design.

I have a fondness for collecting antiques, old books, and mysterious, discarded objects. A love of history and tradition inspires a classical, romantic style in my image making. My design aesthetic also takes root in traditional ideologies. My interest lies in preserving the technical skills and long held beliefs in both design and image making through reinvetion. I am both fascinated by science and captivated by religion and find that both practices play powerfully in my work. I have always faced duality in my life and find that many of my interests are counterpoint to one another. I love historical techniques such as gilding, and hand setting type but use digital printers and InDesign with equal reverence. I am an image maker with one hand in the past and one in the future. I am someone who strives to be passionate but meticulous, technically traditional and conceptually progressive.

Conditions of Content - Gilding on a raised base

Tell me about your work? What are you currently working on? How is this different from past projects?

I'm currently working on a book about visual thinking called Unlocking the Right Brain. I've written, illustrated, and designed it myself. I'm in the process of printing it now using a combination of digital and letterpress techniques. It's one of the biggest projects I've ever undertaken on my own so it's been a bit daunting. I've also been working on synthesizing traditional media with digital media as a way of mixing old and new. It is part of my thesis work and will be on display in May. For now you can learn a bit more about it by going to the blog RightBrainBook.tumblr.com

This project has been a real technical and conceptual stepping stone for me because I designed it with an actual audience in mind. Much of my work is introspective and so my book works tell a personal story that doesn't necessarily need outside input. I try to make works that are beautiful but I've never felt compelled to make the work truly interactive in the way Unlocking the Right Brain will be.

Nakusa - Letterpress

"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

I believe art is the transcendence of craft. Where craft is the skillful execution of a particular medium, art springs to life when that medium is used to say something meaningful. 'Meaningful' content can be anything, it simply has to matter enough to the artist that they were compelled to give it physical form. The medium of letterpress is actually a prime example of my point. Fine printing is a craft, there is essentially a 'right' way to do it. Creating a crisp, perfectly inked print is a technical skill that anyone with some patience could learn. Letterpress only becomes art when the artist takes hold of the medium and imbues it with a part of themselves. 'Art' is the artifact of the artist in the object. It is that quality which can never be reproduced - the breath of love, aesthetic sensibility, and intent the artist breathes into the work.

Blind Love - Letterpress & Gold leaf

What was the best advice given to you as an artist? 

My first letterpress mentor Barry Moser told me something once (maybe twice) that I won't forget. He essentially said that we are swimming through life like fish in a river. We are going to hear so much and people are going to say so many things to try and teach us. What we chose to accept 'becomes blood and bone' and we'll just 'shit out the rest'. Sounds a bit funny, but it always helps me remember that we have the power to choose who we become as artists. We actively absorb the knowledge that will most benefit our practice. Sometimes something strikes us so powerfully it literally becomes a part of us - our blood and bone. What we reject simply returns to the river.

Antediluvian - Digitally Printed, Graphite & Ink

Tell me about your work space and your creative process.

My work space is usually meticulously organized. I love to sort my materials into boxes and categories. I have so many plastic containers it's unnatural. If I didn't stay organized and make hundreds of sticky note lists I'd never get anything done. I'm actually a really efficient worker because of how orderly I keep things. Every project gets its own file and label so I never lose things. I know for many people this would be oppressive, but for me it's liberating and comforting. Books are such an undertaking that if you don't stay clean and neat you'll lose pages, or get glue dots all over the place.

My process is just as organized as my space. I make schedules, and gather tons of visual research before I even put pen to paper. I work in a lot of media and for each technique my process is a bit different. In any case I do a lot of prep work and then move into production with (hopefully) a smooth glide to the finish. With books you have to be thinking pretty far ahead. You need to consider the final format before you can really begin making anything. You have to think about things how to cut a sheet of paper down so you don't have waste, or how many yards of book cloth you'll need to order. There are so many things to consider, but in the end that's what makes it interesting because there are so many places to play with technique and express your aesthetic.

Image of workspace

Who are some of the Minnesota artists you enjoy?

Chip Schilling: http://indulgencepress.com/

My letterpress mentor in town. Tons of really cool book work.


A fabulous letterpress studio. Try and hit one of their open houses and see all their wonderful presses!


A professor at the Minneapolis College of Art and Design with a thriving book arts practice.


An artist working in the fascinating field of Data Visualization.

Molly May: http://6peaks.com/

Her current project deals with inspiring social change through humor.


If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

Well, I'd certainly take you Traffic Zone Center for Visual Art http://www.trafficzoneart.com/ on one of their open studio nights. They always put up a fabulous event, and graciously open up their studios for everyone to see. To be honest, I'm really in love with the Minneapolis Institute of Artshttp://www.artsmia.org//. They have such extensive collections, and for a free museum you really can't find anything better. I could visit the MIA a hundred times and always see something I missed the last time. As a bonus it's right next to the Minneapolis College of Art and Design http://www.mcad.edu/. There are usually quite a few shows going on at MCAD at any one time - a different one on each of the first three floors and usually a fourth in their back gallery (Gallery 148, which is curated by students). Northeast Minneapolis also has a lot of cool smaller galleries. If you keep an eye out there is always something to see in the twin cities.  



Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?

I like to cycle through artists at random and so I enjoy perusing Tumblr (http://www.tumblr.com/) and just following links through other people's pages at random. In addition Kickstarter (http://www.kickstarter.com/), a mass funding site, is a great way to connect with ambitious artists and support projects that interest you or watch how they unfold. You can look for artists working locally or abroad and get connected within the community.


Do you have any exhibits to promote in the near future?

I do, I'm going to be the featured artist at Altered Esthetics for their Belles Lettres Exhibition on March 2nd, starting at 7pm. Altered Esthetics is one of this great little galleries in Northeast Minneapolis and you can find it at 1224 Quincy Ave, Minneapolis, MN 55413.

Also, this May I'll be part of MCAD's amazing thesis exhibition at the Northrup King Building on May 11th. Keep an eye out for it because we hope to make it  major event. Work will range from book arts and projection mapping to conceptual installation and animation. A bit of everything for every taste.

I'll be both of these events. Hope to see you there!

Danielle Feliciano