Showing posts with label Shannyn Joy Potter. Show all posts
Showing posts with label Shannyn Joy Potter. Show all posts

Thursday, May 9, 2013

Kristen Arden - Sculptor


Bindings Series #1
Kristen Arden

Name:  Kristen Arden  
City/State:  Minneapolis, MN
Email:  kristen@kristenardenstudio.com
MNartist.org profile: Arden, Kristen
Facebook page:  Kristen Arden
Twitter: @kardenstudio


Bio~ 
I graduated with a BA in Painting and Drawing and spent my 20’s working in various art-related jobs, including completing a Master’s Degree in Art History with the thought I could teach and do art on the side.  When it became clear I had to choose between Art History and Art I returned to art-making after I moved out to San Francisco. I fell in love with building, sculpture, and working with metal (both casting and fabricating) while taking classes at CCAC and working.  In mid-2003 I moved to Minneapolis from San Francisco and started working out of my Northrup King Building studio.  I currently work full-time doing custom commercial and residential work and have work in corporate and private collections including with Loram, the Westin, and United Health Group.

Bindings Series #2

Tell me about your work? What are you currently working on? How is this different from past projects?
I work in series.  I come up with an idea or premise, start to work it over in my head and then work it out through sculptures, both wall and free-standing pieces.  I rework it as many times as I feel the idea or series can remain fresh.

I’ve recently begun working on some new series, and am continuing work on others. The most recent series I’ve been working on are my Architectonic Series that are installations based on architectural styles, and what I’m calling my Botanic Series, first inspired while thinking about Carl Linnaeus’ drawings and approach to the ‘natural world’.  I’ve also started thinking about symbolism, but am still working some of that out.  In both these series I’m abstracting, enlarging, and then reassembling snapshots of either a design or plant as an installation.  Both new series have a relationship to my past work, but are more sculptural in nature than my Earthworks Series, in particular.

Nothing in Progression Lies on its Original Path

How did you decide to become an artist?
I grew up drawing and spent hours looking through my Dad’s collection of art books.  I found them endlessly fascinating and still remember those books vividly.  It was pretty exciting and eye-opening to me as a kid, looking at all those paintings and thinking about the artists that created them. I think I’ve always felt compelled by art, and always wanted to create, draw, build, whatever.  I was also endlessly fascinated by my Dad’s shop and would watch him work in it.  It wasn’t til after college that I realized you could put the two together.

What was the best advice given to you as an artist? 
Probably the best piece of advice I’ve gotten was from a teacher who remarked how important taking time out while you’re working on a piece to think about what you’re doing and why is just as, if not more, important than how determined and tenacious you are in your work.  It may seem obvious but it really resonated with me.

Natural History Museum Project: Map and Boat

Many artists struggle to find ways to sell their art.  How do you sell your work?  How do you market yourself?

I found having a good website was critical for getting my work out there and found by people (www.kristenardenstudio.com).  I think it’s also important to do a lot of day-to-day things that may not seem significant but at the end of a year add up to a lot of proverbial ground covered.

Botanic Series #1

Who are some of the Minnesota artists you enjoy?

Maren Kloppmann  www.marenkloppmann.com
Jennifer Davis  www.jenniferdavisart.com
Danny Saathoff  www.dannysaathoff.com
Shannyn Joy Potter  www.shannynjoypotter.com

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

When I get the chance I love going to any of the bigger museums – the MIA (www.artsmia.org), the Walker (www.walkerart.org), and the Weisman (www.weisman.umn.edu).  The sculpture park at the Walker is always fun, as is Franconia Sculpture Park (www.franconia.org).  And of course some local galleries too when I get the opportunity to go to an opening, like Gallery 360 (www.gallery360mpls.com).

In addition to www.Local-Artist-Interviews.com, where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise? 

I actually see a lot of interesting art and artists pop up through Facebook and perusing online papers like the Huffington Post. 

Architectonic Series #1


What can we expect to see from you in the future?
I have some new work up at Gallery 360 for a show featuring another artist, Natasha D’Schommer (www.natashadschommer.com), that opened in March.   I recently installed a larger-scale window installation at a business storefront in mid-March, and am working on some new pieces that I’ll show during Art A Whirl (May 17-19, 2013)  in the Northrup King Building and then move to a gallery. In addition I have some commission work I’m working on, and continue thinking about where I want to go with my work next.


Kristen Arden






Thursday, April 5, 2012

Jack Dale - Painter


Beginnings
Jack Dale

Name: Jack Dale
City/State: Cannon Falls, MN
Email: jack@fat-mouse.com

Tell me about your work? What are you currently working on? How is this different from past projects?

I'm painting for an upcoming show at the Bloomington Theater and Art Center. The paintings are abstracts but I am creating them with the idea of a natural origin. Landscape, water, earth, sky etc. You can see some of the work here.

"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

I don't try to make a statement. I attempt to create a painting that will be aesthetically pleasing.
I want the viewers to determine what the painting means to them. I believe that we all bring our
own experience, bias, and predispositions when looking at art work. I hope each viewer will
remember my paintings ( not for what they might represent ) but for the feelings that they evoke.   


Rapid's Magic

What was the best advice given to you as an artist? 

I read an article years ago that stated: never be afraid to ruin a painting. I've tried to follow that
advice ever since.

Tell me about your work space and your creative process.

I have a studio in the Northrup King Building in N. E. Mpls. It is 650 square feet that allows me to create and show my paintings. My actual work area is approximately 12' x 18' and this is just right.

My process is very spontaneous, intuitive and reactive. Most of the time I am starting with little
or no preconceived idea. By placing marks, lines, scribbles etc. on my surface I am able to build from there. Every time I address the canvas it seems like I am reacting to some earlier response. I can get lost within this working style and it feels good.




Spring

Who are some of the Minnesota artists you enjoy?

That's a tough question because there are so many talented artists that I like and respect.
I'll list a few here but by no means are these the only people that I should be giving  props to.

Megan Bell Honigman http://www.meganbell.net
Duane Ditty http://duaneditty.com
James Wrayge jameswrayge@yahoo.com
Shannyn Joy Potter http://www.shannynjoypotter.com
Sandra Dowd http://sandradowd.com
Mike Welton  http://mikeweltonart.com
 

Fall



If I were to follow you around to see art in Minnesota, which places would we go? What would we see?


I like to go to fellow artists' exhibitions. Visit the MIA, Walker. Visit with the many talented artists in the Northrup King Bldg. and to Rosalux Gallery where I just became a member. http://www.rosaluxgallery.com




Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise? (Provide links)

Typically I'll check the mnartists.org site for interesting artists. The NEMAA site is also good.




Winter


What can we expect to see from you in the future?
I have an exhibition starting April 13, 2012 (with an artist reception on April 13 from 6 - 8 p.m.) at the Bloomington Theatre & Art Center to May 18. 2012. I am showing along with Danny Saathoff.   http://www.bloomingtonartcenter.com/


I will also be partaking in Art-A-Whirl at my studio 393 at the Northrup King Building (NE MPls) on May 18,19 and 20, 2012. See more at http://www.northrupkingbuilding.com/


Sunday, October 30, 2011

Leslie Pilgrim - Painter

Leslie Pilgrim

Leslie Pilgrim
email: lespilgim@juno.com

Bio~
I have worked as an artist and writer for nearly 20 years. My works—sold both locally and nationally—are in healthcare, residential, and corporate collections throughout the country. Each of my creations is a stand-alone piece, yet, the works are fluid and organic, which allows for the pairing or grouping of several pieces into a larger original composition. My vibrant acrylic-on-panel pieces are drenched in color, punctuated by texture, and inspired by nature—tide pools along the Oregon coast, Minnesota’s North Shore, a star-filled night sky, flowers swaying in a summer breeze. To me, there is nothing quite as visually joyful as the interplay of colors. And color—like time, space, or sound—has no beginning or end. The compositional possibilities are infinite.


Tell me about your work? What are you currently working on? How is this different from past projects?

I only work with acrylic paints and mediums. I paint on panels. For the first decade or so of my art career, I only created mixed media collage pieces. Then I hit burned out on creating this type of work and I haven’t worked on collages for several years. I am currently working on several paintings for healthcare installations, galleries, and my studio.

"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

Life is complicated. My art is not. I just want it to make people smile.


What was the best advice given to you as an artist?
Be flexible.

Tell me about your work space and your creative process.
Although I have a studio in the Northrup King Building (Studio #444) in NE Minneapolis to display my art, my work studio is in my home basement. I usually create off and on throughout the day, although when I’m working on a large project, I can work for 12 hours at a time. My paintings germinate not necessarily from a specific composition I want to create, but from color combinations I want to play with—maybe butter yellow and chartreuse, or orange and a pinky magenta, or just reds.

Who are some of the Minnesota artists you enjoy?

The Twin Cities are overflowing with great artists. And I have had the pleasure of getting to know many of them.
Sheryl Tuorila www.sheryltuorila.com
Jodi Reeb Myers www.jodireebmyers.com
Shannyn Potter www.shannynjoypotter.com
Justin Terlecki MNartists profile
Nanci Yermakoff MNartists profile


If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

The Museum of Russian Art www.tmora.org
In Season restaurant www.inseasonrestaurant.com
Grand Hand Gallery www.thegrandhand.com
Your Art’s Desire gallery www.yourartsdesiremtka.com
Hudson Hospital in Wisconsin.

Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?
I like the www.MNartists.org newsletter. www.twincitiesfinearts.org sends out a good email about what is going on in galleries in the Twin Cites.


What can we expect to see from you in the future?
Larger pieces for public spaces


12/2012/L10

Tuesday, February 8, 2011

Shannyn Joy Potter - Sculpture

so close, detail. oak. 2010
Shannyn Joy Potter


Cult Status Gallery Featured Interview for
VD11
Exhibit Dates: 2/11/2011 through 3/4 2011
Opening Reception: Friday 2/11 7pm- 1AM

Shannyn Joy Potter
City/State: minneapolis, mn
Email: info@shannnjoypotter.com
Website: shannynjoypotter.com

Bio:
Shannyn Joy Potter received her B.F.A. from College of Visual Arts in St. Paul, MN with a focus on drawing. Her interest turned to wood sculpture in the mid 90’s where it is still held today. She lives and works in Minneapolis where she exhibits sculpture and curates and organizes art events.

Tell me about your work? What are you currently working on? How is this different from past projects?
My work consists of abstract, wood wall reliefs. They tend to be large, averaging around 8 feet for the horizontals lately, with the smaller ones around 4 feet. They're minimal in aesthetic and composition. I'm currently working on finishing one smaller vertical piece for the show VD11 (Cult Status Gallery), which I am also curating. It has been a huge, really fun, project that I've been working on for months. The show will be similar to other local events that we have had, (VD09, and Eleven on Eighteen of '08), multi-media art events. One significant difference is that we will be having the show at Cult Status instead of the Northrup King building this year. Erin Sayer's two story gallery is especially conducive for creating a separate space for video artist and music, which will make a great entrance to the show.

connect, detail. maple + steel. 2011
"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?
I'm not trying to make a statement with my work. I do it because I have to. I don't feel like myself without making it. I see beauty in nature, and life, and that has created a dialogue within me that is expressed through a material. That dialogue expands when the work is exposed and exhibited. I welcome whatever response that may arise as a result of that.

What was the best advice given to you as an artist?
My grandmother Lucille who told me, 'no matter what, never stop.' It haunts me when I feel lazy.
Tell me about your work space and your creative process?
I've been working out of the Northrup King Building (http://www.northrupkingbuilding.com/) in NE Minneapolis on and off for the last 20 years. My first studio space was there. Although I moved out of Minnesota twice, every time I've returned one of three spaces in row has opened up. I love that building. Regardless of the time of day, there's always someone working. Despite all of the working artists around, it's still quiet.


That is especially useful for me when I am starting a sculpture. I spent a lot of time, often in silence, often sitting on the floor, just looking at a roughed planed board. I look until the composition becomes clear, which may take hours or months. The next phase is the subtraction of material through chiseling, grinding and sanding. Then layers are added. I often use stains, paints, venetian plaster, and lately have been incorporating steel wires, plates and rods, through and around. I continue adding and removing until the piece is quiet, or at least resolved.



unfold, detail. elm. 2011

Who are some of the Minnesota artists you enjoy?
I've always admired the work of sculptor and now public artist Randy Walker (http://www.randywalkerarts.com/index.htm). Robert Brown is also a sculptor who has had me in awe for years but is fairly private about his work. Then also you must also look to everyone who is in VD11. Gina Louise (http://www.divergentlayers.com/) does amazing things with pom pom's. Caroline Keefe (http://carolinekeefesculpture.blogspot.com/) has changed the way I see felt. Whitney Tuthill's abstract ceramics are stunning. John Erste's (http://www.kierans.com/Erste/Erste-Resume.htm) twisted paintings will burn in your brain. Tara Costello (http://bcexhibitions.com/costello.html) paintings must be experienced. So many more, I know I am forgetting.

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?
Soap Factory is one the best galleries by far. They're always showing a good range of fresh work. I also appreciate Burnett Gallery at the Chambers Hotel. The MAEP gallery at the MIA is a local treasure. I try to attend openings at the Circa Gallery, Rosalux, Midway Contempory Art, Fox Tax, the SOO Gallery and the Highpoint Center for Printmaking. As well as the big shows at the wonderful Walker and the Weisman. There's so many great art venues here, small and large.

one, detail. cedar + steel. 2009
Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?
I tend to follow links through Twitter which often tends to lead from one link to another. I regularly visit the NY times art section often on my phone, and the Huffington Posts arts. Facebook has also been really useful for sharing and finding out about local events as well.


relent, detail. oak + steel. 2010
Do you have any exhibits to promote in the near future?
Yes, very, very soon VD11, http://www.vd11.com/ will be happening. Opening reception will be Friday, February 11th, 2011 7pm at Cult Status Gallery at 2913 Harriet Ave. S. Mpls. Then Art-A-Whirl is right around the corner in May in Northeast Mpls.

Tuesday, October 19, 2010

Beth Loraine Bowman - Painter



Bio~

Beth Loraine Bowman is an American painter born in Detroit, Michigan. She attended Minneapolis College of Art and Design at age 16, later transferring to the College of Visual Arts. She lived in the south of France, studying painting and art history through a program sponsored by Bard College in New York. In 1999, she was awarded a BFA with an emphasis in drawing. She continued to graduate school where she earned her Masters in Art Education degree in 2006. Recently, she earned a graduate certificate in Housing Studies from the College of Design at the University of Minnesota.

She has shown her work throughout the United States and Europe, including three solo shows. Her mixed media images, informed by French Post-war Modernist painting (Tachisme/L'Art Informel), have explored the subjects of memory, place, color experience, shelter/architecture, maternity and forgiveness.

She served on the Metro Council’s Artist Selection Committee for the new Light Rail Transit project for the City of Saint Paul. She participated in the mentorship program with the Women’s Art Registry of Minnesota (WARM), served on the Minnesota State Arts Board’s Artist Initiative Grant Advisory Panel, was on the Board of Three Minute Egg Media in Minneapolis and was the Board President of the College of Visual Arts Alumni Association and currently serves on the University of Minnesota, College of Design’s Alumni Board of Directors.

Her work has been on display at various locations and belongs to many personal collections in the United States and Europe. She lives and works in Saint Paul, Minnesota.

She is the monthly arts correspondent on the Matt McNeil Show on AM950 in Minneapolis.



You have had quite an extensive formal education, from MCAD at age 16, to studying in New York and in France. What were some of the valuable things you took away from your formal education?

I knew I would have a life long commitment to creative pursuits and art-making, so I wanted to acquire a strong foundation. I studied formally in a variety of institutions (private & public art schools) as well as a variety of locations (America & Europe). I wanted to learn everything I could, and have that academic foundation inform my own perspective.

I chose my major/emphasis in drawing because I have always felt that it is the most essential part of making art, of seeing, of solving. My formal education has helped me build a community, a network of support for myself as an artist. I also learned valuable professional skills on how to support my work on various levels (financially, etc.) which has proven to be very useful.


I assume that since you began studying at MCAD at age 16, that your artistic skills developed early. Tell me of your early development.

I attended MCAD at age 16 through the PSEO program. I had a variety of interests as a child but always loved drawing and excelled in art classes. Although I was quite mature and focused, I was not ready for private art school critiques and was discouraged. I almost gave up and was very close to changing my major to architecture. I am so glad I did not because I would've hated to make those tiny little models with glue.


Your bio says that your mixed media images are informed by French Post-war Modernist painting. Can you tell me more what you mean?

I really identify with painting approaches after World War II - especially those in Europe. I love this era of painting because it included a light, intuitive, meditative approach to the work - a lot of mark-making, drawing sensibilities and a sense of adventure.


Having achieved multiple solo shows and have had your work collected in the United States and Europe, what advice would you give other artists who want to follow your path of success? What steps have you taken that have been most successful?

I would say that if you love art making and visual creative problem solving, consider finding the right private art and design school (that specializes in art). The right school will challenge, support and engage you and give you a strong foundation. It is very important to think about your long term commitment to the practice. Art school is expensive and the statistics are depressing - I would say only about 5% of my classmates still practice studio art. It's not easy. If you are dedicated it can be very fulfilling. I am very thankful for my experiences and am very happy that I am able to continue my studio practice.

What are you currently working on? How is this different from past projects?

I am working on a new series of work for a proposal for a J. William Fulbright Foreign Scholarship in Eastern Europe for 2011. This body of work will differ from previous series in that it will address the notion of the “melting pot” and eastern European culture.

Why did you become an artist?

Probably to rebel. Due to my stubbornness I just keep on going.



What was the best advice given to you as an artist?

“Don’t become a waitress.”

Tell me about your working space and your creative process?

I just received a grant to have my entire second floor renovated. It’s now a light, bright glorious working space. Previous to that I worked in warehouse studio spaces around town.

I typically work in stages: a “gathering stage” where I collect information, images, music, interviews. A “creation stage” where I map out where, how and what size I will place the images. And finally a studio “working stage” where I schedule open time to paint and explore all the research I did to inform the work.


Which Minnesota artists do you enjoy?
Shannyn Joy Potter
Caitlin Karolczak
John Alspach
Gus Gustafson
Neal Perbix

If I were to follow you around on an “art day” in Minnesota, which places would we go? What would we see?

Well this weekend (10/2/2010): “Of Scars” photo exhibit in the warehouse district, Rogue Buddha gallery opening.

Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?

Twitter. More artists need to be on twitter: talking, sharing ideas and work. Increase the savvy and connectivity. Artists are not exempt.

Do you have any exhibits or any interesting things going on in your life or coming up in the near future?

Yes – Three woman show with
Shannyn Joy Potter (www.shannynjoypotter.com),
Caitlin Karolczak (www.studiosilenti.com) +
Beth Loraine Bowman (www.bethbowman.com)
at the Design Within Reach Minneapolis studio. (Event Invite FB) (Event Invite / Twitter)

23 October 2010 / 6-8pm
After-party @ Barbette on Lake St in Uptown, Mpls