Showing posts with label Erin Sayer. Show all posts
Showing posts with label Erin Sayer. Show all posts

Wednesday, March 18, 2015

Erin Sayer

erin@erinsayer.com
Instagram: @esayer
Twitter: @MPLScultstatus

ERIN SAYER is an all-around creative. From running galleries to traveling the country painting murals, she is constantly engaged in artistic endeavors. Her latest projects include operating Cult Status Gallery, completing several local and national mural projects, painting theatre backdrops, and working on paintings based on Tom Robbins novels. Later this year, she is beginning a series of oil paintings based on the book ‘American Gods’ by author Neil Gaiman. She is a freelance curator, having curated over 100 art shows and events over the years. Sayer has owned three galleries since 1998, painted over 50 murals locally and around the US, and her paintings inhabit dozens of private and corporate collections. This spring she is a featured artist at Sasquatch! Music Festival, and will be painting murals in Seattle and at Les Schwab Amphitheatre in Bend, OR.  She is available on commission and is always up for a new travel adventure.


Tell me about your work? What are you currently working on? How is this different from past projects?

Lately I’ve been working seasonally on outdoor murals when it’s warm, and oil paintings when it’s cold.  The past 4 years, I leave to paint murals in other parts of the country for 1-2 months.  It’s imperative to get out of town!  I had a solo show in Seattle last summer.  I’ve been working on a series of paintings based on Tom Robbins novels for around a decade (not continuously, of course).  They take a million hours each.  I like having the balance of working on giant spray paint murals that take a week, and little oil paintings that take months.  

My new work is different in many ways than pre 2010.  After spending a winter in San Francisco in 2012, I became enamoured with Chinese Brush Painting and am more focused on nailing brush strokes, color, and odd composition.  I have moved on from blatant pop art and iconography, and have discontinued using a projector/stencils.  Now everything is freehand with the occasional stencil for murals.  


How did you decide to become an artist?

I have basically always considered myself an artist.  But to really become an artist, one must work tirelessly for years and years, which is what I did.  I’m proud to say, excluding waitressing for 7 years while in school, all of my jobs have been in art in some way, be it working at Dick Blick, painting for the theatre/production companies, running galleries, teaching HS art.  It was all related and enabled me to gain vast amounts of knowledge over the years.  I’ve been a full-time artist/gallery person for 10 years now.

What was the best advice given to you as an artist?

Never give up.  There are so many times when I think, after I don’t sell anything at a show, or don’t have solid jobs lined up months in advance, that I should just get a ‘real’ job.  But inevitably, something comes up to keep me going.  The times when I’m scraping by are great motivation for expanding work, or actively seeking commissions and opportunities.  If I had quit at any point, I’d be justly unhappy, though maybe more secure.




Many artists struggle to find ways to sell their art.  How do you sell your work?  How do you market yourself?

Yes that is a tough one.  I rely on large commissions, less on selling paintings.  But I have found that the more of myself I put into my paintings, the better they sell.  They have to be from the heart, people can see through art making as a commodity very easily, even if they don’t know much about art.  I see a lot of artists going for quantity, and selling for too cheap.  There has to be time, care, good presentation, and high quality for people to value your work as much as you do.  This involves pretty much every waking hour, backbreaking work, obsessive work, in order to achieve not only sales, but higher price point sales.  

The only marketing I do is throw up images on Instagram and Facebook, have a yearly/bi-yearly solo show if possible, and I make strong networking connections with other artists from around the country.  I believe artists should work together for a common cause: more art appreciation!



Who are some of the Minnesota artists you enjoy?

I hate this question because I have so many.  It is really hard to choose.  But lately, I’ve been really into artists who work their ever-loving a$$es off, who are constantly at it, doing new and interesting things.  Here are a few I really love seeing new work from on an almost daily basis:

Adam Swanson (from Duluth)
And everything Joan Vorderbruggen does.


If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

I’d take you on a mural tour, first and foremost.  I love all the new public art that’s been happening the last few years.  We’d stop on by at Gamut Gallery to say hi to all the awesome people there, to Public Functionary (because I haven’t been there yet...I know, so lame, but I’m a hermit).  Yuya’s place (there are always about 5 creative types hanging out there, including all of his work), and then I’d take you to paint a dumpster in an alley in Uptown.


In addition to www.Local-Artist-Interviews.com, where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?

Pretty much Instagram and Facebook

Do you have any exhibits to promote in the near future?
Yes!
in Minneapolis MN.  (1006 Marquette Ave A, Mpls, Mn 55403 from 4/4/15 - 5/7/15.  



Friday, April 13, 2012

Jessie McNally - Mixed Media


"Buddha Belly" Mixed Media
Jessie McNally

Name:Jessie McNally
City/State:St.Paul MN
Email: jessie_mcnally@hotmail.com
Website: www.jessiemcnally.com
MNartist.org profile:  http://www.mnartists.org/Jessie_McNally
Facebook page: www.facebook.com/jessiemcnallyisrad


Bio~ Jessie McNally is an Australian born Minnesota raised emerging artist who resides in Saint Paul. She works as a tattoo artist at Steady Tattoo in Minneapolis. Jessie is inspired by folk art, Mexican culture, Dias de los Muertes, religious icons and symbols, flora, fauna, alchemy and her work as a tattoo artist. Her artwork is a combination of painting, sculpting, assemblage and mixed media.

"Vivian" Mixed Media

Tell me about your work? What are you currently working on? How is this different from past projects?

At the moment, I use a lot of mixed media in my work. I shop at thrift stores weekly and pick up interesting things that I turn into "art" using glue, paint, hardware etc. Right now I am working on so many different pieces. Because I use random objects as starting points no two are alike. Right now I'm finishing a mannequin torso and it's arms. I'm constantly trying out new materials in my work. Using fabric as my under painting has proved a lot more challenging that I thought. It's made me slow down and I'm enjoying the process.

 For 18 months I lived in the Northern Warehouse Artist Co-op and that's when the sculptural aspect of my work really started. Previously, I had mostly painted before on canvas and old framed prints that I had found at thrift stores because of the restrictions on my work space. Having so much work space In the Northern Warehouse really allowed me to create on a larger scale. 

"Mater Dolorosa" Mixed Media

"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

My hope is that my audience simply remembers my art. Whether or not people find it disturbing, beautiful, scary, fun etc I just hope it sticks in their head. I'm not sure if there is a statement other than "turning other peoples junk into awesomeness"! 

Really, it's just fun to me. When I make the things I do I get really excited, my heart skips a beat and I think YES! And sometimes even I think what I do is scary or disturbing but I still love it. And if I hit that cord with my audience then I'm happy. 

What was the best advice given to you as an artist? 

My mom gave me a card for my 18th that said "some people may say you are going the wrong way, when it is simply a way of your own."  This quote rings out in my head all the time. 

Tell me about your work space and your creative process.

I just moved into a house so my work space has changed quite a bit. I have a studio in my basement but now that it's warmer I'm in the process of taking over the garage. I like to have lots of room to work as I am a messy worker. When I go to thrift stores. I'm like a robot scanning the shelves, looking at the junk but not looking at it for what it is but what it could be. What could take on the shape of a wing, arm, head, eyeballs, or how cool would that Jesus statue look with a pretty skull face! Etc.Whenever I get new pieces that I'm excited about I clear a space on my workbench for them. And then I stare at them until something pops into my head.  I also have bins of junk that I surround myself with and I pick out pieces to see if they fit as if it were a puzzle. From there it is layers of paint and washes, bits and pieces, until an end result is achieved. 

Workspace (I wish it still looked this clean!)


Who are some of the Minnesota artists you enjoy?

To be honest, I don't know that many. I'm starting to pay attention more, really I am. But here's a few I've been watching as of late.

Curlytalefineart.com / Alex Kuno
"Oya" Mixed Media

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

I'm not very good at going to galleries and museums, I do love them when I go, I just don't do it often. But the places I have gone to in the last year or so to various shows have been, Cult Status Gallery, Rogue Buddha Gallery, MIA, Walker, The AZ Gallery, and Echo Arts. 


Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?

www.google.com - for image searches when I have an idea but need references.
www.juxtapose.com  -  cuz it's inspiring.
www.artaustralia.com - to stay connected

"Medicine Man" Mixed Media



Do you have any exhibits to promote in the near future? 

I will be at The AZ Gallery for St. Paul Art Crawl in 2 weeks (April 27-29, 2012) and I'm be showing at Northeast Tattoo for Art-A-Whirl in May (May 18-20). I'm also putting together a show with local tattoo artists for the first weekend in June. And then the second weekend of June I'm opening at Nevermind Gallery on W.7th with a couple friends and we are calling it 'A Crude Menagerie'. 

Jessie McNally

Friday, March 23, 2012

Amina Harper - Illustration

 Cupcake King
Amina Harper


City/State: Minneapolis
Twitter: @aminaharperart


Bio~ Amina Harper is an emerging artist born in Minneapolis MN, who studied for 2 years at the Pacific Northwest College of Art (until she got kicked out). At its core Amina's work is about dragging her inner child kicking and screaming into adulthood. She expresses a horrific and twisted world with bright, candy colors and sweet, innocent faces that often hide seductive secrets. Amina currently works out of Minneapolis.

Tell me about your work? What are you currently working on? How is this different from past projects?

Currently I've been paying more attention to  how art and fashion can coexist together. I've been trying to take the content of my work and translate it into garment form.  I want lots of detail, lots to look at and the additive of wondering what it would be like to wear the art as well. Basically, I've always wanted to make cake dresses. 

Jumping the Gun 
  
"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

To me, art is more about the exploration of the question and less about the answer. The process of finding the answer and the journey you take in its name is what's really important. I guess I just want the audience to have fun and get excited about what they see when they look at my work. There’s a lot of detail and I want people to feel like they’re really interacting with my work by looking at it. I hope that people always find something new in my work that they haven’t seen before, and that they come back a second time and find something new. I love when people come up to me with a big smile on their face after they see a piece of mine they really like; sometimes they’re really excited like they just got off their favorite ride at an amusement park. I love that.


 Stag Girl

What was the best advice given to you as an artist? 

Don’t be afraid. EVER. Fear stops everything before it can start and it can keep you from all the beautiful and wonderful things the world has to offer.

Tell me about your work space and your creative process.

I just work from my home. I think the creative process is an ongoing mindset that should never shut off. I try to keep my mind as open as possible and let as many different things in as possible. Sometimes I go to different places to try and feel what I see (if that makes any sense); I’ll got to Lakewood Cemetery or antique shops for the sake of acquiring images; You never know when a certain image, phrase, song or idea will find its way in and inspire you.

 Queen Bee

Who are some of the Minnesota artists you enjoy? 

Oh, there are too many to count and it’s always changing. Right now I like to see the new things Rudy Fig comes up with. And I love Erin Sayer and Jennifer Davis too. 
  
If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

Um, you'd probably end up on some strange family outing where you're taking on a tour of the seediest, strangest and most vibrant areas of Minneapolis; you know, places where there used to be old strip clubs or where somebody got murdered, or where somebody decorated their house with bright pink tiles. My uncle used to be a bus driver so he tells me where all that stuff is. I also go to a lot of thrift and antique shops cause you never know what you might find.

 Tea Time

Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?

I often go to MPLSART.COM to look up galleries within the city that I think might show my work or to see what’s happening in terms of events, I check out the opportunity section at mnartists.org to see if any venues are in need of artists, I check Springboard for the Arts job section as well. I check out my friends’ facebook pages to see if they know of any galleries that would be willing to show my work. Every day I check a website call cgunit.net to check out new artists I haven’t heard of yet

Do you have any exhibits to promote in the near future?
Last year I was in the Cult Sister II show at Cult Status Gallery and I'll be doing Cult Sister III in May 2012 with the same ladies and some new ladies as well. Right now I have a piece entered in the 2012 Munny Contest at Tomodachi.
                                                                                                                                                                 

Monday, January 30, 2012

What do Muralists do in the Winter?



Rogue Citizen mural at Shuga Records, Mpls, MN

Local Artist Interviews asks Rogue Citizen, Ethan Heidlebaugh, and Erin Sayer, "What do muralists do in the winter?"

The collective, Rogue Citizen, said, "Muralists in the north can't just be doing murals. For those five months or so we can't get much paint on walls, we work as studio artists, screen printers, graphic designers, illustrators, writers, promoters, etc. And while we hibernate with whiskey, death metal and Star Trek like everybody else (right?), some of us figure out what's going on walls when it gets warm again."

Rogue Citizen at 99% Rally in Washington D.C.
(Video)

Rogue Citizen Mural at Republic, Mpls, MN
(now painted over)

Ethan Heidlebaugh adds, "I could say “Murals” because I actually did one mural during the winter. It was above freezing still out most of those days but still difficult to be out there for very long. The paint would inevitably get on my gloved fingers and make them harder to move. It was real hard to care about the muraled image like I do in those long summer days I sort of rushed on that project. The days were much shorter anyway. Summer days were 6 to 8 hours for a week or two while winter days were 2 or 3 hours for 3 days.

628 Central Ave NE , Mpls, MN 55414 -  Ethan Heidlebaugh

When it is too cold to paint outside I paint inside. I also paint inside after painting outside because it also gets dark. I have been creating a series of fifteen drawings with Pen, Ink and Watercolor on 30x22 inch paper to get ready for my show at the Gallery 13, 811 LaSalle Ave, Minneapolis MN. This has been a challenge for me because it is a larger format of drawing than I am used to and fifteen is a lot of them to do.

Ruff Love Dogs mural - Ethan Heidlebaugh
1528 Marshall St NE, Mpls, MN 55414




 Erin Sayer, Herkimer Mural, Mpls, MN

Erin Sayer, muralist, and owner of the Cult Status Gallery in Minneapolis, MN says, "Well, every year I paint sets in November, December, March and April for various theatres, and I also descend into a SAD induced tunnel of doom, and I gain 20lbs. This year, after painting 5 murals all summer, I decided to try my hand in a different climate. San Francisco offers lots of sunny warm days that are very conducive to painting in January. So hopefully someone will allow me to grace their walls with something spectacular. Though I am competing for wall space with the likes of HUSH ...so it's a bit daunting and humbling. 

Another activity we tend to do is find indoor places to paint. This summer, a bunch of us collaborated on the Tractor Building stairwell (Mural slide show). Winter is also a good time for incubating ideas and creating new smaller pieces on (metal for me) canvas. I also go through a bunch of sites that list grant opportunities, and research residencies, work on my ever evolving CV, do my taxes, update my websites and blogs, and of course grow the gallery. I try to schedule shows in the winter as much as possible just to have some definitive deadlines, and to make me work in the studio so I don't kill myself (which the winter makes me want to do!)

Erin Sayer, Mural at Sophie Joe's, Mpls, MN

Stay up-to-date on Sayer's off-season activities through her blog, 60 Days in San Francisco, and through the Cult Status Gallery website.  Read her interview with Local Artist Interviews.

Monday, November 7, 2011

Gina Louise - Sculptor - Painter

Gina Louise

name: Gina Louise
website: www.divergentlayers.com
email: gina@divergentlayers.com
MN artists.org page: http://www.mnartists.org/artistHome.do?rid=267303
Facebook page: http://www.facebook.com/ginalouise.divergentlayers

Bio:
Gina Louise is a sculptor and painter born 1972 in St.Paul, Minnesota, USA. In 1994 she received her B.F.A in Sculpture from Minneapolis College of Art & Design.
 Within Louise's artwork, the most predominate propositions materialize as an acknowledgment to what she sees as both the important visual conversations as well as the tactile leftover layers of our unified human imprint upon the landscape in flux. The structural footing which visually underlies all of Louise's art is her reverence for the "Industrial Installations" of her childhood, IE. oil refineries, grain elevators and concrete batch plants.

Fundamentally, her work investigates the compositions we may pass daily which might otherwise be overlooked; the underdog compositions, the scraps of our existence.

Through her sculpture, this compositional conversation generally presents itself simply with the materials themselves. For example, the juxtaposition of steel, concrete, plastic and soft fabric elements. However, within her painting and drawing this consistently spills out as flattened form and line referencing the chosen context.


Tell me about your work? What are you currently working on? How is this different from past projects?

For the last 15 years I have been working as a sculptor, creating large scale pieces with steel, concrete and epoxy for museums, zoos, aquariums and private residences across the US. However, During the last 4 months I have taken a sabbatical from doing sculpture full time during the day and painting at night to focus strictly on the 2D work for my upcoming solo show "S.E.A.10" which opens 11.11.11 at Cult Status Gallery.

There will be 150 pieces, each one referencing a moment pulled from within the landscapes of South East Asia. In addition, I am making several pieces for the "Beauty School Dropouts" show at Gallery 13 which opens on 11.12.11.

The pieces for "Beauty School Dropouts" are a complete departure from my usual inspiration in that they are referencing the female body in the context of modern society.


While the individual pieces for S.E.A. 10 are themselves not rigidly rendered, my self imposed parameters of process were methodical in nature. My intent is that each piece is a visual conversation reduced further and further down. In this way the true disposition of each moment being referenced is able to unfold.

Part 1: pictures
I am by no means a photographer, however it was ultimately necessary to document the compositional junctures that grabbed me, so I could work with them upon returning to the studio.

Part 2: drawings
Next, using the photos as reference, I drew from them. Only 5" x 8" in size, they are small drawings meant to be held close.

Part 3: paintings
Lastly, no longer referencing the original photograph, only a completed drawing, I distill and paint said compositional moment.

At 24" x 36", each painting is larger than the corresponding drawing. However, the paintings are small enough to still feel intimate.


"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

While all my artwork is an offering to others as a visual acknowledgement of the way I see, I hope that the experience of viewing my work is personal to them. it is not necessary to see the way I see, but perhaps there is a momentary shift. In turn, I do believe that it is only through making that I will ever get close to understanding the layers of our existence which I hold dear;
construction sites, 
oil refineries, 
batch plants, 
broken pavement, plastic scraps, trains, 
bio-mimicry, 
concrete, and steel structures. 


What was the best advice given to you as an artist?
My Dad, Charlie Grote, taught me through example that to honestly create beauty, one must work ,work, work, work, and not ever be afraid of getting dirty.

Kinji Akagawa shared with all of his students at MCAD many bits of sage wisdom, but the one that I keep forever in my pocket is "you cannot create in a vacuum".

Tell me about your workspace and your creative process.

In order to be able to fully focus on my S.E.A.10 series, I set up a studio for the time being in Seattle. Here at the studio there is a wonderful south facing, sliding glass door with a deck from where I can see the mountains. Inside there are numerous older wood crates (originally for fruit and ammo) stacked vertically, holding books, tools, paint cans and random bits of colored plastic. On the wall, a sweet painting by Christopher (CAW) Williams, and by my side, Mildred the bulldog.

The crates are an attempt to create order but usually the order has to be put back together every few days as it starts to spin into chaos while I'm working.

My working methodology differs quite a bit from 3D and 2D. While work from either dimensionality consistently reference structure as form, they each commence in seemingly different operational modes. With this new body of 2D work I am simply taking the initial compositional moment that drew my attention and exploring it through the act of sifting, pulling and flattening visual information.


Who are some of the Minnesota artists you enjoy?
Shannyn Joy Potter www.shannynjoypotter.com
Christopher Williams christopherwilliamsart.blogspot.com/
Allison Hiltner www.alisonhiltner.com
John Grider / Broken Crow www.brokencrow.com
Shawn McNulty www.shawnmcnulty.com
Erin Sayer erinsayer.com and her Gallery, Cult Status.
+ ALL her ladies that currently make up THE CULT SISTERS. the original core includes the following super talents :
Mark Edward Hayden www.markedwardhayden.info
Todd Peterson http://fineartamerica.com/profiles/todd-peterson.html
Louis LaPierre www.louisnlapierre.com
Tara Costello www.mnartists.org/artistHome.do?rid=97935
Caroline Keefe carolinekeefe.com

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?
1st stop would be AMBLES www.amblesmachinery.com/ for it is truly the closest thing to heaven in my mind. What could be better than a machine and hardware shop / tool bone-yard / scrap yard?! Plus the owner is .... well, someone needs to put him in a movie. Ambles is my one stop resource and inspiration destination.

2nd, the studios of Shannyn Joy Potter, Tracy Olson , Duanne Ditty, and Mike Welton in the Northrup King Building. They each consistently remind me how truly beautiful art can be to experience.

The train yard along HWY 61 by Pigs Eye.
In addition, the train yard along HWY 61 by Pigs Eye.

And lastly, My parents property in Denmark Township where they have created a 20 acre earthwork/ living sculpture.

Where do you go on-line for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?
In addition to learning about artists in-depth through your interviews on LAI, the 3 sites that I simply relish are:

The Dirt Floor www.thedirtfloor.com
Artlog artlog.com
Artslant www.artslant.com


What can we expect to see from you in the future?
If the S.E.A.10 show goes well, then hopefully I can start on plans to head back to Bangkok. My overarching hope for this show is to raise funding to travel back, and in conjunction with the Empower Foundation, make art alongside the amazing women who are part of the Sex Workers Union.

My desire is to have an exhibition with their artwork that is able to be shown in their home city of Bangkok and also here in Minneapolis. In the mean time, I will be starting straight away on my next 2 series. The first is inspired by the structures within the villages of Juan Mata Ortiz and Santa Rosa, Chihuahua Mexico. The show dates for this series are TBA for this but will be opening in Los Angles, CA sometime in 2012.

Concurrently, I will be embarking on what I hope is a long running series relating to spatial form and structure within major Shipping Harbors as well as processing the nature/necessity/nurture of their qualified existence. Finally, for each of the above mentioned series', including S.E.A.10, there will be a corresponding book published cataloging each body of work.