Thursday, September 19, 2013

Zamara Cuyun - Painter

The Awakening
Zamara Cuyun

Name:  Zamara Cuyún
City/State:  Minneapolis, MN
Email:  zcuyun at profile:
Facebook page:


Zamara Cuyún is a self-taught, Minneapolis born-and-raised, Guatemalan-American painter working with acrylics.  She incorporates elements of Maya and European myth, ideology, and iconography - sometimes to explore and create a vibrant, colorful, imaginary dream universe and, at other times, to represent the restless, violent, and unsettling world we are often forced to inhabit.

Tell me about your work? What are you currently working on? How is this different from past projects?

I look to the past - to the collective roots of my ancestral tree - to inspire and inform my creations.  As a Grimm (literally) on my mother’s side, and Guatemalan on my father’s side, I strive to create pieces that meld indigenous Maya mythical traditions regarding cycles of life, death, and rebirth with the popular legends born of the interaction of Maya, Spaniard, and African in the Americas, as well as the folklore of Germany and other Western traditions. 

On the more technical side of things, color and light are of the utmost importance in my work.  I want my subjects – the lovely, as well as the gruesome – to pulse with color, light, and life from within. Vibrant Guatemalan indigenous textiles and folk-art, as well as European stained-glass and Rosemaling inspire and inform my use of color and brushstroke.

My current work continues to follow this same path, although I have departed thematically from the more mythical to focus on something more concretely socio-political in nature.  I am periodically drawn back to using my work as a tool to educate, explore, and protest.  In light of current events in Guatemala, I have been thinking more recently about indigenous identity (my own, as well as that represented in Guatemalan society and in the U.S.), the history of racism, colonization and resistance, the persecution and genocide of the indigenous population, and the call for social justice, reconciliation, and revitalization. I feel compelled to process this information through my art and communicate with a larger audience regarding these issues.  This portion of my work is definitely not something a person might feel comfortable hanging in their home, perhaps, but in some ways it is, to me, much more urgent in nature.

I’m also learning to “let go” a little, stylistically – which is incredibly difficult for a perfectionist – allowing the artwork and the process to deviate from the original plan I had when I first envisioned it.  My most current painting in progress is what I would consider “unfinished” – not polished, not complete, not perfect.  It’s telling me what it wants to be.  To “complete” it would destroy the story it wants to tell and the mood it wants to convey.

How did you decide to become an artist?

I didn’t decide that this is what I was going to do until about five years ago.  I took a few art classes in high school and it was really my teachers that recognized my talent and encouraged me to continue painting.  I left it for awhile, completed a degree in anthropology and archaeology, and took the odd art history class here and there.  Then, one day, I decided to pick up a paintbrush again and I haven’t stopped since.  I am terribly slow (being a perfectionist) and easily distracted, so my output isn’t quite where I would like it to be yet.

What was the best advice given to you as an artist? 

Someone once told me that an artist should exercise their art as they would a muscle.  You should sit down and draw or paint or whatever it is you do at least once a day to stay limber and strong.  I have good intentions of following this advice but, like I said, I’m easily distracted.

Oh – and even more importantly, it doesn’t matter if anyone else likes it, if you need to paint it, then you should.

Many artists struggle to find ways to sell their art.  How do you sell your work?  How do you market yourself?

I do need to be better about marketing myself.  I’m not very tech-savvy either.  That said, I do show my work from time to time in local coffee shops and galleries and that’s where I do make the majority of my sales.  People have also contacted me via email zcuyun at to make purchases and commission work.  You can also find me on, and facebook, (but then you’d have to “friend” me).

More often than not, however, I find the act of sharing my work with the public more gratifying than the financial rewards.

Who are some of the Minnesota artists you enjoy? 
In no particular order:

Kara Faye Gregory
Linnea M. Doyle

And a shout-out to a great oil-painting teacher, Haley Stampp

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?
Since I live in Minneapolis, we’d definitely go to the MIA and the Walker, including the sculpture garden.  I just discovered this year that the Red Hot Art Festival ( is my favorite art fair in Minneapolis.  The Casket Arts Building, Intermedia Arts, and Soo Vac are some of my favorite places to go to enjoy great art and get inspired.  I also really enjoy surprise encounters with local talent showing in coffee shops, restaurants, and galleries around the Twin Cities.  Public art abounds without even having to hunt it down. 

In addition to, where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise? is a great resource!  I have to credit them with getting me up and running.  I’m also a fan of MNOriginal and go to the online site to see what’s going on in Minnesota.

Do you have any exhibits to promote in the near future?
On Friday, November 1st, 7-10pm, I am participating as the featured artist for Altered Esthetics “Día de los Muertos,” a celebration of “the lives of those we have lost.”  I am really looking forward to it.
At the moment, I have several pieces hanging in the “Fabled” exhibition at Altered Esthetics, which opened September 5 and runs through September 26, 2013
Then, from November 11 through January 5, I am planning to exhibit some pieces over at the Coffee Grounds Gallery
Zamara Cuyun

Image List:  1. Awakening 2. Vueltas  3. Her Burden  4. Las Tres Hermanas  5. Bosque de Verapaz  6. The Artist   7. Image of artist

Thursday, September 5, 2013

Kenneth Steinbach - Drawing and Sculpture

Kenneth Steinbach
The Machine in the Ghost. Installation view.  2010-2013  Unique carved and polychromed wood, about 2600 individual elements.  Wood for the work was stolen from the grounds of the museum of the childhood home of Charles Lindbergh in Little Falls, Minnesota.

Name:  Kenneth Steinbach  
City/State:  Shoreview, MN

Bio~Kenneth Steinbach is an artist who uses a variety of media and approaches, but works principally in sculpture.  Recent exhibits include The New Forests of Thoreau’s America at the College of Visual Arts in St. Paul, and Still There at the Gallery at Fox Tax in Minneapolis.  He has shown throughout the United States, including exhibits at the Phillip Slein Gallery in St. Louis, and Koplin Del Rio Gallery in Los Angeles, and Circa Gallery in Minneapolis who has represented his work for the past seven years.  He has work in numerous corporate, academic, and individual collections including Midway Contemporary Art in Minneapolis, and NYCAMS in New York. Kenneth Steinbach is the recipient of two Minnesota State Arts Board grants and two grants from Bethel University in direct support of his work and research.  He is Professor of Art in Sculpture at Bethel University in St. Paul, and a member of Form + Content Gallery. 

Kenneth is currently working on a body of research investigating the cognitive and creative habits of mid career artists.  He lives in Shoreview with his wife Kari, and daughter Harper Leigh, and two impossibly enthusiastic wiener dogs.

The Machine in the Ghost.  Detail view.

Tell me about your work? What are you currently working on? How is this different from past projects?
I am continuing a series of drawings and sculptural works that explore the shifting of narratives and memories attached to materials, objects and locations.  Many of those works use materials/objects with very loaded histories- wood taken from the grounds of the Lindbergh House in Little Falls, Minnesota for example, or slate chalkboards from an abandoned schoolhouse.  I am also continuing a 10 year series of works using epoxy resin, in which dozens of ink drawings are suspended in layers of epoxy resin.  For the first time I am using the figure in the resin works, and engaging ideas related to geography and exploration. The upcoming show at Circa Gallery will feature these drawings, as well as multiple sculptural works using slate, drawings on ivory piano keys, and slate from an abandoned middle school. 

How did you decide to become an artist?
When I started studying art in college I realized that I responded to the physicality of making work.  The resistance of the materials allowed me to focus on specific themes and concerns for a longer time and allowed for an expressive gravitas that other art forms did not.  I have never really considered doing anything else.

For Pierre Menard, Author of the Don Quixote.  
Found and carved wood.  Dimensions variable.  2010.

What was the best advice given to you as an artist? 
Try everything.  Which, interestingly, is the same advice that you might give someone if you were trying to drive them crazy.

Many artists struggle to find ways to sell their art.  How do you sell your work?  How do you market yourself?
I am represented by Circa Gallery in Minneapolis and also belong to Form + Content Gallery, a cooperative gallery, in Minneapolis.
My website:

Untitled (Lindbergh House #6).  
Ink drawings suspended in layers of epoxy resin.  30” x 60” x 1.5”

Who are some of the Minnesota artists you enjoy?
The writing of Louise Erdrich (, Kent Meyers (, and Tim O’Brien (  Also Annie Proulx, who is not from Minnesota but should be.
Aesthetic Apparatus:
Lex Thompson:
Megan Vossler:
Michael Kareken:
Jennifer Danos:

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?
Assuming that I could bend time and space, we would spend the day hitting all the small town museums across the state.  They hold such fantastic assortments of art, history, artifacts, local oddities, civic records, donated collections.  All of it cheek by jowl in a completely unfiltered way, with terrific interactions and cross references.  Some of the most engaging exhibits around, with enthusiastic staffs- many of whom volunteer just for the love of the museum.

Memoria Animus:  Granville Falls.  8” x 13.25”.  
Scrimshaw on used elephant ivory piano keys. 2010/2013.

In addition to, where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise? 
I generally find more artists off the grid, by attending openings, exhibits, and talking with other artists.  MNartists ( is also a main point of reference, a terrific resource.

Do you have any exhibits to promote in the near future? 
I have a solo exhibit at Circa gallery in Minneapolis opening Sept 21st, 2013.
I am also curating a show titled Orders of Possibility with Paula McCartney, Lex Thompson, and Sonja Thomsen at Form + Content Gallery, opening in early December.

Untitled (Lamb’s Ear #2).  Waterjet cut chalkboard slate.  42” x 72”.  2012.

What can we expect to see from you in the future? 
As part of an academic research project, I am currently interviewing a large collection of mid career visual artists to determine the suite of creative habits and activities that are engaged by high functioning artists. At some point I hope to present my findings to the creative community in Minnesota in a series of dialogues or workshops.

Kenneth Steinbach

Circa Gallery - Featured Artist