Showing posts with label Bridget Beck. Show all posts
Showing posts with label Bridget Beck. Show all posts

Tuesday, June 12, 2012

Bridget Beck - Sculptor


Playstation (front view), steel, wood and earth, 50’x 47’ x 23’ 6”, 2009/2010 
(photo credit Tory Roff)
Bridget Beck

Name: Bridget Beck
City/State: St. Paul/ MN
Email: bridgeit22@hotmail.com
Website:
http://bridgetbecksculpture.com

Bio~ 
Bridget Beck grew up in South Dakota where she soaked in the plains and the sky until graduating from Augustana College in 2000 with a BA in English and Art.  She then spent some time at Franconia Sculpture Park in MN as an intern in 2001.  After finishing the internship, she went East and worked in the same capacity for Socrates Sculpture Park, Mark DiSuvero’s Spacetime Studio, and the Connecticut Sculpture Park.  After her time out East, Bridget returned to the Midwest where she continued to make sculpture in South Dakota, Minnesota, and Wisconsin.  She went back to Franconia Sculpture Park again as an intern in 2004.  Bridget then supplemented her eclectic resume with an AS degree in geomatics (civil engineering) which she completed in 2006.  After receiving her AS degree she has been gainfully employed by Ramsey County, MN where she designs roads in 3D, surveys the lay of the land, inspects road projects, and tests soils when needed.  Bridget is most passionate about the time spent creating new sculpture as Franconia Sculpture Park's Resident Artist, mentoring emerging artists, and writing the Franconia Blog.

Watch (front view) 15’6” x 22’ x 28’, 2011

Tell me about your work? What are you currently working on? How is this different from past projects?
My work centers on the action of play and my sculptures are rough approximations of playlands I have imagined.  They come from a long-standing desire to construct rafts, forts and hideaways.  I believe that there are too few interesting, magical, and thought provoking places.  The sculptures I create attempt, on an individual level, try to tip this balance.  I try to expose the complex intersections between place, belonging, object, and action.  I see my sculptures as places to escape responsibility and seriousness.  I hope to trigger fond memories and prompt fantastic thoughts while building community.  I want drudgery as prisoner and the swing to reign. 

I am currently working on three large sculpture-event projects. 
The first is GLOWaBOUT (http://2012.northernspark.org/project/beck-samaniego) for Northern Spark (http://2012.northernspark.org/) the night of June 9th.  I have always loved creating pseudo battles and taking part in outdoor games.  Artist Carissa Samaniego and I co-created this event and are bringing it back to Minneapolis for the second year at MCAD outdoor plaza.  We can’t wait to get people building fortresses, playing capture the glowing orb, using the pigment throw zone area, partaking in a wild ceremonial procession and so much more.  This year we are taking GLOWaBOUT to a whole new level.

My Mother’s Cottage, steel and wood, 24’ x 20’ x 26’,  2004


The second is an event connected with the debut of my newest large scale interactive sculpture Poetry Studio.
I am building this sculpture up at Franconia Sculpture Park where I am their resident artist. The poetry event- and sculpture celebration will be held at Franconia Sculpture Park on June 22nd from 2 to 4 p.m. and June 23rd from 1 to 5 p.m.   More info can be found at http://www.franconia.org/poetryevent.html.

My interactive studio sculpture comes with a bench swing, elevated writing studio, umbrella roof system, winding staircase, and escape hatch. The visiting public—the young and the young-at-heart—can participate by creating poetry during workshops held both days. Selected participants will read their poems alongside established poets, including Heid E. Erdrich, MN; Wang Ping, MN; Dobby Gibson, MN; and Ashley David, GA & VT.  This idea for this sculpture began after completing a residency at the Vermont Studio Center.  I was inspired for the first time to try to create this sculpture, Poetry Studio, in the likeness of a poem.  I tried to use space poetically – telling a lot with a little and never the whole story and using space/place to grab a person in a way that is specific but incredibly vast at the same time.

The third sculpture is my Locomotive Sculpture project.  This sculpture will travel to 8 separate care or independent senior living communities.  I have never built a mobile sculpture that was built with the help of so many organizations.  I can’t wait to see how this works out.

This sculpture brings a bit of adventure to the usual routine (May- August), weekly Locomotive Sculpture updates during the sculpture construction and the opportunity for hundreds of individuals to contribute to a large scale traveling sculpture that will visit and connect to the larger community.  As community members grow older they deal with aging and loss on a daily basis and sometimes find their mobility is limited. I have established a creative partnership with: Ecumen Parmly LifePointes- Chisago City, Golden Living Center- St. Louis Park, Good Samaritan Center Heritage Place-Roseville, Good Samaritan Center- Inver Grove Heights, Good Samaritan Center University Specialties- Minneapolis, Good Samaritan Center- Stillwater, Ramsey County Care Center- St. Paul and Texas Terrace- St. Louis Park.

I will lead two art making workshops with residents and their caregivers at each location where they will be able to contribute significantly to the Locomotive Sculpture. They are able to access a Locomotive Sculpture Blog and Facebook Page with weekly Locomotive Sculpture updates. There are bulletin boards at each facility that tracks the Locomotive Sculpture weekly as its construction progresses. After the workshops and final construction of the locomotive structure is finished, there will be 8 community events where the Locomotive Sculpture will be driven to each care or independent senior community and invite residents and their caregivers to interact with and gather on the sculpture they helped create.

GLOWaBOUT: a night long city game, steel paint, wood and community, 2011


How did you decide to become an artist?  
I took a sculpture class in college and finally had a place to channel my imagination and energy.  But, it wasn’t until my sculpture internship at Franconia Sculpture Park, after building my first real interactive sculpture, that I absolutely knew there was no turning back…


What was the best advice given to you as an artist? 
The best advice I have gotten is to always put the time in no matter if you feel amazingly inspired or as dry as a sack.  This advice is at the core of all my large scale sculptures.  It takes all the time I can get to make something that pushes past 20’ in any direction.  I work when I am super excited about building a certain section and I work on days that are cold and full of monotonous grinding of steel edges… days I wish I was just sleeping in instead. 

Playstation (in action), steel, wood and earth, 50’x 47’ x 23’ 6”, 2009/2010


Many artists struggle to find ways to sell their art.  How do you sell your work?  How do you market yourself?  
I’ve never sold a large scale sculpture.  I work a full time job to finance my living and sculpture material expenses.  I don’t think anyone would make these sculptures if I didn’t.  I don’t think my wild and large interactive sculptures would be here if I lived off of sculpture sales.  And, I think these imaginative sculptures need to be a tangible part of my life nonetheless- so I guess I still wait for the day that someone is generous enough to finance the time and materials that go into the sculptures I want to build.  

Until then I’ll do the best I can by financing myself and applying for grants and fellowships.  I couldn’t use the limited sculpture building time I have to make benches or works of art that might easily sell or I’d sacrifice the sculptures that I really need to make. 

Who are some of the Minnesota artists you enjoy? 

I know so many great Minnesota artists !

Bridget Riversmith (http://www.redrabbitriversmith.com/), 
Asia Ward (http://asiaward.com/), 
Aaron Dysart(http://aarondysart.com/), 
Carolyn Swiszcz (carolynswiszcz.com). 

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

First stop would be Franconia Sculpture Park (http://www.franconia.org/), then,,,, Western Sculpture Park (http://www.publicartstpaul.org/western.html), Casket Arts Building (http://casketarts.com/), and Walker Sculpture Garden (http://garden.walkerart.org/index.wac)

Image of artist at work

In addition to www.Local-Artist-Interviews.com, where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise? 
A few sites I regularly visit are:
Beautiful Decay- http://beautifuldecay.com/, 
Irrigate Arts- http://www.irrigatearts.org, 
Hyperallergic- http://hyperallergic.com/, 
Arrowhead Artists Alliance-  http://aaawdhistory.blogspot.com/, 
and Poetry Foundation- http://www.poetryfoundation.org/

Do you have any exhibits to promote in the near future? 
Yes,  Poetry Studio Sculpture Event June 22nd and 23rd, and 
Locomotive Sculpture locations and dates are:
August 21st 10 to noon at Good Samaritan Center Heritage Place-Roseville 2 to 4p at Golden Living Center- St. Louis Park 
August 22nd 1 to 3p at Ecumen Parmly LifePointes- Chisago City 
August 23rd 10 to noon at Ramsey County Care Center- St. Paul 2:30 to 4:30p at Texas Terrace- St. Louis Park
August 24th 10 to noon at Good Samaritan Center University Specialties- Minneapolis 3-5p at Good Samaritan Center- Stillwater 
August 25th 1 to 3p at Good Samaritan Center- Inver Grove Heights  

Bridget Beck

Saturday, December 3, 2011

Carolyn Swiszcz - Painting - Printmaking

Hallway, 28 X 19, 2011
Carolyn Swiszcz

Name: Carolyn Swiszcz
City/State: West St. Paul, MN
MNartist.org profile: Carolyn Swiszcz
Facebook page: (Optional)
Bio~ 
I was born in New Bedford, Massachusetts and moved to Minnesota to attend the Minneapolis College of Art and Design. I studied printmaking and illustration there and earned a BFA in 1994. In the late 90’s I had a fellowship in Miami Beach from the National Foundation for Advancement in the Arts. I’ve shown with Miyako Yoshinaga Art Prospects in New York for almost ten years. 


My work has also been exhibited at the Minneapolis Institute of Arts, Highpoint Center for Printmaking, the Plains Art Museum in Fargo, and the Corcoran Gallery of Art in Washington DC. I’ve received grants from the Jerome, Bush, and McKnight Foundations and the Minnesota State Arts Board. I’ve lived in West St. Paul for a decade. 


Food Court, Santa Fe, 48 X 73


Tell me about your work? What are you currently working on? How is this different from past projects?
I am attracted to subjects with patterns and text, especially as they appear in architecture. I'm a painter but I am not interested in making "painterly paintings"  - I work in a flat, graphic manner inspired by printmaking. My subjects, and the ways I work through them, are chosen somewhat intuitively. I would describe the feeling in most of my works as a pleasant kind of dread.
I'm currently expanding my architectural subjects to include interiors and people, with a more personal bent. I hope to tweak my work a bit so I am able to draw from a broader range of ideas and experiences.

"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?
I hope that my work motivates other people to paint and write.

Shidoni Sculpture Park, Tesque, NM 36 X 73, 2011
What was the best advice given to you as an artist? 
The best advice on creativity I heard was from a friend’s child who was struggling to work with some clay. After some initial frustration he kept at it, eventually becoming happy with his creation. He told his friend his secret: “you have to not care.” I find I have to alternate between a playful kind of not caring and then some serious thought - caring very much. This kind of works on a personal level as well.
Tell me about your work space and your creative process.
I begin by taking photos and making thumbnail sketches. I don't do many studies before I start a work - I have a vision of what I want in my head. I usually begin with techniques that leave a lot to chance such as monotype and rubber stamp. The rest of the time I'm sort of corralling the chaotic aspects of the work into something more coherent. Often things have to get wrecked or started again if they aren't working. The last third of a painting is the hardest for me to finish. It is a long process of either determining exactly what small thing is needed, or coming to terms with the fact that the work might be done the way it is.
Much of my process involves putting work away for long periods. I often feel as if the only chance I have to see one of my paintings painting clearly is within the first second or two of looking at it. I work at home in a small, somewhat inadequate studio space. However, its proximity allows me to steal moments during the day to paint and look while I care for our small child. I distract her and then I run up to the studio for a minute to check in with something in progress hoping I will be able to diagnose its flaws. 
Who are some of the Minnesota artists you enjoy? 

Bridget Beck
Bruce Tapola
Wyatt McDill
Melba Price
David Lefkowitz

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

MAEP Gallery at the MIA, Franconia Sculpture Park, the Walker Art Center. I don't get out as often as I want to but I’m trying to change that. 

 Lyndon B. Johnson Presidential Library, Austin TX 48 X 73, 2011
Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise? 

New American Paintings Blog. It's not just about the artists who appear in the publication. There's lots of good interviews and videos.
Whitney Lobby #1 36 X 48, 2011

Do you have any exhibits to promote in the near future?

I have some work from 2005/2006 (this is the first time it's being shown in Minnesota) up at Bethel College. I am giving a lecture on Tuesday, November 8, 2011 at 5 PM. 
I have a show in New York at Miyako Yoshinaga Art Prospects through November. http://miyakoyoshinaga.com/
What can we expect to see from you in the future?
I just bought a press - some new work on paper? A book? Another video? I am not sure. I have to clean my studio first.