Showing posts with label Art-A-Whirl. Show all posts
Showing posts with label Art-A-Whirl. Show all posts

Thursday, May 9, 2013

Kristen Arden - Sculptor


Bindings Series #1
Kristen Arden

Name:  Kristen Arden  
City/State:  Minneapolis, MN
Email:  kristen@kristenardenstudio.com
MNartist.org profile: Arden, Kristen
Facebook page:  Kristen Arden
Twitter: @kardenstudio


Bio~ 
I graduated with a BA in Painting and Drawing and spent my 20’s working in various art-related jobs, including completing a Master’s Degree in Art History with the thought I could teach and do art on the side.  When it became clear I had to choose between Art History and Art I returned to art-making after I moved out to San Francisco. I fell in love with building, sculpture, and working with metal (both casting and fabricating) while taking classes at CCAC and working.  In mid-2003 I moved to Minneapolis from San Francisco and started working out of my Northrup King Building studio.  I currently work full-time doing custom commercial and residential work and have work in corporate and private collections including with Loram, the Westin, and United Health Group.

Bindings Series #2

Tell me about your work? What are you currently working on? How is this different from past projects?
I work in series.  I come up with an idea or premise, start to work it over in my head and then work it out through sculptures, both wall and free-standing pieces.  I rework it as many times as I feel the idea or series can remain fresh.

I’ve recently begun working on some new series, and am continuing work on others. The most recent series I’ve been working on are my Architectonic Series that are installations based on architectural styles, and what I’m calling my Botanic Series, first inspired while thinking about Carl Linnaeus’ drawings and approach to the ‘natural world’.  I’ve also started thinking about symbolism, but am still working some of that out.  In both these series I’m abstracting, enlarging, and then reassembling snapshots of either a design or plant as an installation.  Both new series have a relationship to my past work, but are more sculptural in nature than my Earthworks Series, in particular.

Nothing in Progression Lies on its Original Path

How did you decide to become an artist?
I grew up drawing and spent hours looking through my Dad’s collection of art books.  I found them endlessly fascinating and still remember those books vividly.  It was pretty exciting and eye-opening to me as a kid, looking at all those paintings and thinking about the artists that created them. I think I’ve always felt compelled by art, and always wanted to create, draw, build, whatever.  I was also endlessly fascinated by my Dad’s shop and would watch him work in it.  It wasn’t til after college that I realized you could put the two together.

What was the best advice given to you as an artist? 
Probably the best piece of advice I’ve gotten was from a teacher who remarked how important taking time out while you’re working on a piece to think about what you’re doing and why is just as, if not more, important than how determined and tenacious you are in your work.  It may seem obvious but it really resonated with me.

Natural History Museum Project: Map and Boat

Many artists struggle to find ways to sell their art.  How do you sell your work?  How do you market yourself?

I found having a good website was critical for getting my work out there and found by people (www.kristenardenstudio.com).  I think it’s also important to do a lot of day-to-day things that may not seem significant but at the end of a year add up to a lot of proverbial ground covered.

Botanic Series #1

Who are some of the Minnesota artists you enjoy?

Maren Kloppmann  www.marenkloppmann.com
Jennifer Davis  www.jenniferdavisart.com
Danny Saathoff  www.dannysaathoff.com
Shannyn Joy Potter  www.shannynjoypotter.com

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

When I get the chance I love going to any of the bigger museums – the MIA (www.artsmia.org), the Walker (www.walkerart.org), and the Weisman (www.weisman.umn.edu).  The sculpture park at the Walker is always fun, as is Franconia Sculpture Park (www.franconia.org).  And of course some local galleries too when I get the opportunity to go to an opening, like Gallery 360 (www.gallery360mpls.com).

In addition to www.Local-Artist-Interviews.com, where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise? 

I actually see a lot of interesting art and artists pop up through Facebook and perusing online papers like the Huffington Post. 

Architectonic Series #1


What can we expect to see from you in the future?
I have some new work up at Gallery 360 for a show featuring another artist, Natasha D’Schommer (www.natashadschommer.com), that opened in March.   I recently installed a larger-scale window installation at a business storefront in mid-March, and am working on some new pieces that I’ll show during Art A Whirl (May 17-19, 2013)  in the Northrup King Building and then move to a gallery. In addition I have some commission work I’m working on, and continue thinking about where I want to go with my work next.


Kristen Arden






Thursday, May 17, 2012

Eleanor McGough - Painter


Deluge, acrylic on panel 48h x 72w
Eleanor McGough

Name: Eleanor McGough
City/State: Minneapolis MN
Email: EFMartist@aol.com
Website: www.mnartists.org/Eleanor_McGough
MNartist.org profile: www.mnartists.org/Eleanor_McGough


Tell me about your work? What are you currently working on? How is this different from past projects?
 My paintings commingle forms from biology, textiles, maps, and geometry to convey a kaleidoscope world of interconnectedness.

Currently my focus is on large 4ft x 6ft acrylic paintings that are created on two merged panels. These works have subtle echoes of land or seascapes, and the merged panels have a reference to Asian screen paintings.

Working on this larger scale is really physically engaging and the works more easily become “a place” in my perception- as if one could disappear in to them.

The Marsh, acrylic on panel 48h x 72w

"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

 I believe art can transport people, even if only for a brief blip, into a separate realm or way of thinking. 

In my own work, I hope to reveal simultaneity between the grand scale and the miniscule -- a sense of infinite interconnectedness (through reoccurring pattern) of all things.

Jettison, acrylic on panel 36h x 72w

What was the best advice given to you as an artist? 

 My Father, who was an architect, once told me that the path to success (however you want to define that term) as an artist is an extra long road.  He said I should have perseverance above all else.



Tell me about your work space and your creative process.

Currently Craig Bell and I share a studio in the Northup King Building (#369)  in NE Minneapolis.

My works start out with loose very randomly applied paint, and I build layers this way while intermittently slowing things down with interjections of tiny details and delicately painted line forms.

I tend to work either on the floor or a large work table, preferring for the work to be flat as I work on it, although I do end up moving the panels all around when I want to make the paint move or drip on it’s own accord.  It becomes a balancing act of getting paint to do what paint does when thrown, splattered or dripped, with more deliberate and calculated decisions painted by my hand.

Aerial View III, acrylic on panel 24x24

Who are some of the Minnesota artists you enjoy?

 Linda Deg Lee  www.lindadeglee.com
Jantje Visscher  www.jantevisscher.com

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

Groveland Gallery (Justin Terlecki paintings, Jeremy Lund prints) www.grovelandgallery.com
Como Park Conservatory- the Pavilion, the Japanese Garden, the Sunken Garden  www.comozooconservatory.org
Minneapolis Institute of Art—I love seeing the rotating shows in the MAEP gallery  www.artsmia.org


Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?

MNArtists -  www.mnartists.org
quodlibetica- www.quodlibetica.com


Fleeting, acrylic on panel 48h x 72w

What can we expect to see from you in the future?


I will be part of Art-a-Whirl May 18-20, 2012 in the Northrup King Building in NE Mpls. Studio #369.
In 2013, I have a solo show at The Phipps Center for the Arts in Hudson WI.

Sunday, May 13, 2012

Craig Bell - Painter

Chandler Blvd - 12 x 16" oil on canvas
Craig Bell
Name: Craig Bell
City/State: St. Paul, MN
Email: wilsonbell@usfamily.net
MNartist.org profile: http://www.mnartists.org/craig_bell
Facebook page: http://www.facebook.com/home.php#!/profile.php?id=100002254865863

Tell me about your work? What are you currently working on? How is this different from past projects?
I work in oils on canvas and panel. Until a few months ago, my paintings were of quite identifiable subjects. A voyueristic view of the urban landscape has long been a favorite theme of mine to follow. My latest is a series of nocturnal L.A. street scapes, which has allowed me to mix "bad" photorealism with a relaxed form of abstraction. 


This year has been a time of transition for me, kind of like jumping off a cliff - exhilarating and frightening at once. Everything that I have painted since January has been primarily abstraction. I am enjoying myself and liking the new pieces. I think this is a direction I will follow, it feels so natural.

Auto Repair - 12 x 16" oil on canvas

"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

An audience is a fickle bunch. It goes back to the saying, "You can't please everyone all the time." It is a bit of a paradox, that we as artists do this for ourselves, yet we need some sense of appreciation. I do enjoy what I do and hope it shows in my work. If there were to be a statement, I think it is the work itself. I strive to be original, whatever that means. While I work on a canvas, I know it will likely outlast me by many years. This is what I'll be remembered for, and it should shine because in essence, it is me.


Starship - 24 x 30" oil on canvas

What was the best advice given to you as an artist?
With a good audience, an artist's ego may grow.

Tell me about your work space and your creative process.

My creative process beings and ends in the studio (Northrup King #369). When I'm there, I control that space, that environment, the lighting, and music - always need to have music. Get on that canvas and see what happens. Let the unknown be the guide.


Northrup King Building #369

Who are some of the Minnesota artists you enjoy?
Many others, but here are a few of the people I am most influenced by, for many reasons:


Hard Landing - 30 x 40" oil on canvas

If I were to follow you around to see art in Minnesota, which places would we go? What would we see?
A large part of my day would be at the Northrup King Building. I get to visit with friends and artists almost every day. I enjoy the Walker, MIA and The Groveland.

Encroachment - 12 x 12" oil on panel

Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?

Do you have any exhibits to promote in the near future?
Currently, I am working on new abstracts that will be showing in my studio during Art A Whirl, May 18, 19, 20, 2012 Northrup King Building, Sudio 369

Craig Bell

Monday, May 7, 2012

Michael Schmidt - Painter

Glimpse
Michael Schmidt




Name: Michael Schmidt
City/State: Saint Paul, Minnesota
Email: mtaschmidt@mac.com
Website: http://www.michaelschmidtstudio.com
MNartist.org profile: http://www.mnartists.org/artistHome.do?rid=64976



Bio~ 

Michael Schmidt was born in Canada. He studied History and English at the University of Toronto and Painting and Illustration at Ontario's Sheridan College. Michael moved to Saint Paul in 1993 and worked as an illustrator and scenic painter before becoming a full-time artist six years ago. His work has been exhibited in solo and group shows throughout the Twin Cities.   Michael's paintings are found in private and corporate collections in the U.S., Canada and Great Britain.



Tell me about your work? What are you currently working on? How is this different from past projects?

My paintings are about the act of painting as much as they are about any specific subject matter.  I usually choose mundane, everyday subjects as the starting point for my paintings.  Anonymous urban landscapes and everyday objects are common themes.  I see my work as primarily abstract art.  I am more interested in composition, color, texture and rhythm as much as I am about any real narrative in my work.  I am currently working on a series of semi-abstract urban-themed canvases as well as a series of paintings inspired by the waves and shoreline of Lake Superior.  In these new paintings, the subject matter disappears almost completely.

Evidence


"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make? 

My hope is that my artwork gives the viewer the chance to slow down and take a second look at the world around them.  We are surrounded by interesting visual experiences in the most common places.  I have had people tell me that after seeing my urban artwork, they never looked at a power-line or water tower the same way again.  I also hope that the viewer takes the time to get a little closer to my paintings, lets the subject matter disappear and appreciates the way the paint is applied.

Heading Home

What was the best advice given to you as an artist? 

I had an art teacher in college who always went on about the "miles and miles of canvas" we would have to go through if we were serious about painting.  I am beginning to understand what she meant.  Art is something you have to devote yourself to for an entire lifetime.

Tell me about your work space and your creative process.

I am fortunate to have an easy 40 foot commute to my backyard studio in Saint Paul each day.  Once the family is off to work and school, I bring my cup of coffee out to the studio, put on some music and start painting.  I usually have two or three paintings on the go, with a couple more in the idea stages, so I am never at a loss for something to do each day.  I work with oil paint and wax medium applied with large scraper tools and palette knives. My paintings develop pretty quickly. I often find myself racing against the clock as I like to keep a wet and workable paint surface.

I also share a studio space in the Northrup King Building in Minneapolis.  I use this studio occasionally to work in, but more as a place to exhibit my paintings as well as a great venue to connect with the public and other artists.

Workspace


Who are some of the Minnesota artists you enjoy?

Allen Brewer http://allenbrewer.com
The 8 artists I share my studio space in Minneapolis with: http://studiopolisarts.weebly.com


Sliced


If I were to follow you around to see art in Minnesota, which places would we go? What would we see?

An easy and obvious answer would be The Minneapolis Institute of Art http://www.artsmia.org/ Every time I visit the M.I.A. I am reminded how fortunate we are to have a world class art museum in our city (and a free one at that).  Every time I visit I find something new.  Lately the contemporary galleries, especially the Minnesota Artist Exhibition Galleries have been very impressive.

Other favorite art destinations:
The Grand Hand Gallery http://thegrandhand.com/
Traffic Zone Center for Visual Art http://www.trafficzoneart.com/
Rosalux Gallery http://rosaluxgallery.com/
Northrup King Building http://www.northrupkingbuilding.com/

Where do you go online for good art resources, whether to find a new artist, or to see what is going on in the art world locally and otherwise?

For local art happenings:
minnesota original http://www.mnoriginal.org/

I also like to spend time online seeing what is going on in the art scene of other cities:
Toronto and Montreal:  http://www.slateartguide.com/


Undone


Do you have any exhibits to promote in the near future?

I am currently working on a new body of work for a show at the Grand Hand Gallery in Saint Paul http://thegrandhand.com/ opening on June 2, 2012

I will also be showing my work at Art-A-Whirl, May 18-20, 2012  Stop by studio #423 in the Northrup King Building to see some of my new work. http://www.northrupkingbuilding.com/

Monday, April 30, 2012

Jill Van Sickle - Painter

Fire Flower - MIxed Media
Jill Van Sickle


Name: Jill Van Sickle
City/State: Minneapolis MN
Email: jill@jillvansickle.com
Website: http://www.jillvansickle.com/
MNartist.org profile: Jill Van Sickle
Facebook page:
 https://www.facebook.com/pages/Artist-Jill-Van-Sickle/108987035825703
Twitter: @jillvansickle


Bio~

Born in Northfield, MN and raised in the Twin Cities, Jill earned her degree in Fine Arts with an emphasis in textiles at the University of Wisconsin, River Falls.  She was a resident at the Tilsner Artist Co op in St Paul for six years, and has since relocated to Minneapolis and works from her home studio.  Jill currently works full time as a painter and exhibits her work online and at galleries around the Midwest.

Garden Splash - Mixed Media

Tell me about your work? What are you currently working on? How is this different from past projects?

Without a lot of warning, my work has recently taken a turn towards the abstract.  Traditionally I tend to paint images that are botanical in nature with abstract tendencies.  These new pieces are looser, bolder, and maybe a bit more challenging to the eye.  Undoubtedly I will return to botanicals, but for now this has been an exciting change.

Why will you undoubtedly return to botanicals?

I know a lot of artists paint botanicals, but my reasons for doing so are deeply rooted in my Dutch heritage.  My grandparents immigrated to MN after WWII.  They brought with them both great knowledge and love for growing things.  Some of my very earliest memories are of their vast tulip beds.  I'll never tire of the subject of plants.

Happy, Happy - Mixed Media

"What is Art?" is certainly too big of a question to ask here, but what do you hope your audience takes away from your art? What statement do you hope to make?

Phthalo Pond - Mixed Media

I know that it is fashionable in the art world to have some deep, seemingly profound meaning and message to one's art.  Sometimes even if it takes precedent over the actual work, craft, and time put into the piece itself.  That sort of work is not what I am interested in.  My work is incredibly personal.  I was being told at a very, very young age that I would be an artist someday.  I almost resent that sometimes.  

Logically I would much prefer to be genetically designed to be a lawyer or doctor, rather than an artist!  So for me, I'm quite sure I'm doing what I was meant to, whether I like it or not. Hence, my work is for me, no one else.  I feel very lucky buyers seem to find joy in my work as I do!  It really is that simple.  I find that life is scary and difficult a lot of the time.  Art is a great escape for me, and I hope people who look at my work can find a minute or two of escape themselves.  

What was the best advice given to you as an artist? 

Don't paint what others think you should.  Paint what is right for you. 


Tell me about your work space and your creative process.

My work space is a hilarious disaster of splashed paint on the walls and floor, unorganized supplies and paint bottles and canvases of all sizes scattered about. There is a small tv in the corner with Star Wars DVDs sitting on top, and two dogs sleeping amongst the clutter.  Though the rest of my living space is quite tidy, my creative realm is a crazy mess.

Who are some of the Minnesota artists you enjoy? 



If I were to follow you around to see art in Minnesota, which places would we go? What would we see?


I'm more of a hermit than I like to admit, so looking at artwork, for me, is often online.  Obviously MNartists.org is a good one, but I also like to visit:  


Do you have any exhibits to promote in the near future?

This spring I plan to participate in Art A Whirl at the Bottling House in NE Mpls, and the Edina Art Fair, in addition to showing at local galleries.  And as always, I am constantly selling online on both my website and my facebook artist page: https://www.facebook.com/pages/Artist-Jill-Van-Sickle/108987035825703





Jill Van Sickle